JT Spunk | Photography

$629


<LI>Six built-in camera Art Filters for endless creativity, giving you the most unique DSLR images.</li><li>Multiple Exposure shooting </li><li>Swivel Live View 2.7″ HyperCrystal III LCD offers artistic freedom and endless creative possibilities with 15 Brightness & 15 Color Adjustments</li><LI>”Children” Mode for fast shooting of kids plus 18 scene program & select modes</li><LI>Ultra Fast 7 point twin cross autofocus for fast response in all lighting situations.</li><LI>Sports Mode plus 4 frames per second sequential shooting and 1/4000 sec speed for stop action.</li><LI>Multiple Exposure and Face Detection on Live View screen for innovative creativity.</li><LI>Olympus’ proven dust reduction system – the best in the industry for spot free images.</li><LI>Built in flash plus wireless flash capabilities with optional FL-36R & FL-50R Flashes.</li><LI>Full in camera editing to fix red-eye, shoot black & white, and make endless creative in camera adjustments.</li><li>12.3-megapixel Live CMOS sensor and TruePic III processor provide exceptional picture quality</li><li>14-42mm Lens</li><LI>3 Image Stabilization Modes built into the body – all lenses attached will be image stabilized!</li><li>Small 16.76 oz body</l

$25.48


In 1977, while Jeff Stein was compiling The Kids Are Alright, his excellent documentary on legendary British rockers the Who, the filmmaker felt he lacked strong film footage of several classic Who tunes and wanted performances that would bring the picture up to date. With this in mind, Stein arranged for the Who to play a show to be filmed for the movie, and six 35mm film cameras were on hand when the band took the stage at the State Kilburn Theatre on December 15, 1977. However, Pete Townshend was openly disappointed with the Who’s show that day (even saying on camera “This wasn’t f–king worth filming, Stein — might as well send the cameramen home” midway through their set), and they shot another concert several months later that was used in the movie. However, more than three decades later the Kilburn State Theatre set has finally been made available on the DVD release The Who at Kilburn 1977. Compared to the Who’s best work on film, The Who at Kilburn 1977 does capture the band on a relative off night — Keith Moon is clearly out of shape and has trouble keeping up with the band, while John Entwistle and Roger Daltrey appear to be a bit out of practice — but Townshend is on fire throughout the show, and this footage confirms that the Who were a powerfully exciting act even when they weren’t delivering one hundred percent. The Who at Kilburn 1977 has been given a widescreen transfer to disc, letterboxed at the 1.78:1 aspect ratio on conventional televisions and enhanced for anamorphic play on 16×9 monitors. The original film elements are practically spotless and the depth and clarity of the 35mm film image is truly impressive, as is the vivid but realistic color balance. The audio (which was recorded using a 16-track mobile truck) has been mastered in three formats, Dolby Digital Stereo, Dolby Digital 5.1 Surround, and DTS 5.1 Surround. The stereo mix sounds tighter and more powerful than the 5.