Steidl Photography International
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Juergen Teller: The Master II (v. 2) $19.95 In the summer of 2005, Steidl published a modest booklet of London-based, German-born photographer Juergen Teller’s work, titled The Master. This booklet offered a characteristic portrait of Teller’s own world and his persona as a photographer, with a mixture of fashion and commissioned works printed alongside self-portraits, family photographs and scenes from his Bavarian childhood home. The star… |
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Unknown Weegee $30.00 The viewing public’s image of Weegee is of the prototypical New York tabloid news photographer: tough, garrulous and on the scene, ready to cover two murders in one night. But the inventive Jewish immigrant Arthur Fellig (1899-1968), who assumed the self-mocking nickname Weegee, was also one of the most original and creative photographers of the twentieth century. His work for The New York Times, … |
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Juergen Teller: Vivienne Westwood $18.80 Funny, sexy, exotic and a bit scandalous, this book brings together all of London-based photographer Juergen Teller’s images for Vivienne Westwood’s Spring/Summer 2008 campaign. In typical fashion, Teller photographed the collection by creating a highly theatrical mis-en-scene which involved the collaboration of not only the models but the legendary designer herself. Borrowing the theme, The Adven… |
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Albert Steidl $63.73 Albert Steidl ( 12. Janner 1927 in Dienten am Hochkonig) ist ein ehemaliger osterreichischer Politiker (OVP) und Steuerberater. Steidl war von 1979 bis 1990 Abgeordneter zum osterreichischen Nationalrat. Steidl besuchte nach der Pflichtschule die Handelsakademie in Salzburg und war Werkstudent an der Hochschule fur Welthandel Wien, wobei er sein Grundstudium 1949 mit dem akademischen Grad Dipl.Kfm. abschloss und 1952 zum Dr. rer. comm. promovierte. Steidl war zwischen 1954 und 1968 beruflich als selbstandiger Steuerberater in Kitzbuhel aktiv und wirkte ab 1968 als Steuerberater in Saalfelden. Im politischen Bereich engagierte sich Steidl zwischen 1964 und 1977 als Burgermeister in Leogang, zudem war er zwischen 1977 und 1979 Landesrat in der Salzburger Landesregierung. Er hatte zudem die innerparteilichen Funktionen des Ortsparteiobmann der OVP Leogang (19631971) und des OVPBezirksparteiobmann im Pinzgau (19711986) inne und war ab 1981 Vizeprasident der Arbeitsgemeinschaft der Freien Berufe. Steidl vertrat die OVP zwischen dem 5. Juni 1979 und dem 14. August 1990 im Nationalrat. Author: Surhone, Lambert M./ Tennoe, Mariam T./ Henssonow, Susan F. Binding Type: Paperback Number of Pages: 68 Publication Date: 2010/10/04 Language: German Dimensions: 6.00 x 9.02 x 0.16 inches |
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Photography (Paperback) $205.09 For one or two semester courses in the History of Photography. Mary Warner Marien has constructed a richer and more kaleidoscopic account of the history of photography than has previously been available. Her comprehensive survey shows compellingly how photography has sharpened, if not altered forever, our perception of the world. The book was written to introduce students to photography. It does not require that students possess any technical know-how and can be taught without referring to techniques in photography. Incorporating the latest research and international uses of photography, the text surveys the history of photography in such a way that students can gauge the medium's long-term multifold developments and see the historical and intellectual contexts in which photographers lived and worked. It also provides a unique focus on contemporary photo-based work and electronic media. |
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Living with Vision Problems by Sardegna, Jill; Shelly, Susan; Rutzen, Allan; Steidl, Scott M. Edition ILL, 0 $17.49 Living with Vision Problems. Sardegna, Jill; Shelly, Susan; Rutzen, Allan; Steidl, Scott M. |
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Crime Scene Photography (Hardcover) $159.04 Crime Scene Photography, Second Edition covers the general principals and concepts of photography, while also delving into the more practical elements and advanced concepts of forensic photography. Edward Robinson assists the reader in understanding and applying essential concepts in order to create images that are able to withstand challenges in court. The first part of the book deals with the basic theory and science of photography required to take superior photographs, and covers topics such as composition, exposure, focus, depth of field, and flash techniques. The second part of the text deals specifically with the challenges of photographing a crime scene, including instructions on how to document bodies and wounds, traffic accident photography, underwater photography and aerial photography. In the latter portions of the text, the author turns to digital theory and its advantages and disadvantages.* Over 600 full color photographs, also electronically available on the companion website * Two new chapters on `The History of Forensic Photography,` and `Digital Image Processing of Evidentiary Photography` * Includes an Instructor website with lecture slides, practical exercises, a test bank and image collection * An essential reference for crime scene photography, including topics such as Composition, the Inverse Square Law, Court Cases affecting photography, Digital Image Processing, and Photogrammetry * Required reading by the Crime Scene Certification Board of the International Association for Identification (IAI) for all levels of certification |
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Photography and Culture (Paperback) $67.92 Photography and Culture is at the forefront of new critical, reflective and analytical writing on photography. It is pluralistic in its approach and inter-disciplinary, embracing the historic and the contemporary and independent of any one prevailing theoretical critical model. It mirrors and debates new ways of thinking about photography as the photographic image becomes an ever more central player in our personal and public histories and lifestories. It seeks to become an important text for a new community of interest clustered around those who use reference, interpret or analyze photographic images within their chosen fields in arts and humanities, science and social science. * Aims to rebalance the over emphasis on art historical approaches, to look at vernacular and applied photography * Embraces the historical, technological, cultural and social aspects of photography, as well as all genres* Answers a clear need for a vehicle that fosters exchange about photography and culture across a wide range of disciplines and subfields* Strong interdisciplinary approach * Offers a forum for diverse voices in the field * Genuinely international, it seeks to open up the study of photography beyond traditional Eurocentric and Anglo-American perspectives * Gathers together the most thoughtful writers and thinkers about photography |
