Photography Terms And Meanings

Posted in Photography by admin on February 4, 2010 No Comments yet

Photography Terms And Meanings

Understanding Stock Photography

Stock photography can be a much overlooked sect of digital photography. Although, portraits, nature, abstracts and so on are more known through out the photography community, that isn’t to say that stock photography isn’t as important. What makes taking stock photos so different to all other types of photography is the applicable means to which stock photos are presented. Other types of photos such as portraits and macro sometimes don’t have a definitive analogy to where such photos lie. A portrait can carry the quality of being a ‘portrait’ with no other applicable use besides the art in itself. Contrarily, stock photos have a very clear purpose and may even cross the line as to calling them a job instead of a type of photography. A proper explanation of stock photography is needed in order to further pursue the career.

First it is important to know where the term stock photos comes from. This is term coined, more fluently, on the internet, and most of the time it refers to selling and buying photos through a stock photo site. A stock photo site is a place that anyone can sign up and upload their photos in order for buyers to purchase their pictures. You can earn money based on whatever guidelines the site may have. A variety of people purchase stock photos mostly for job related reasons. The most popular frequenters of stock photo sites are graphic designers, marketers, magazines, and advertisers. They may use the picture in whatever way the want, they may edit the image or leave it completely unchanged.

In order to learn how to become successful in the business of freelance stock photography you need to know what buyers want and how it differs from regular photography. Depending on the practices of a job, buyers need digital stock photos for specific purposes that make it easily editable or accessible. They might need pictures of macro, landscape, and industrial subjects but just presented a little bit differently than what most are use to.

Advertisers might need pictures of self-directed compelling premises, that easily convey what they are trying to sell. Graphic designers want digital photos that are easy to edit that lack complex backgrounds and over shadowing. Also, a lot of jobs need several different versions of the same picture in order to find one that will do the project justice. Meaning pictures of the same subject but presented at different angles and camera positions. For a more comprehensive tutorial on how to take stock photos go look at thetutorials and jobs in digital photography.

That is the basic explanation of what stock photography is. It can seem simple but learning the complexities of how to take profitable digital photos can take a while. If you are looking to pursue a career doing this freelance and on your own, then dedicate enough time, work hard and you will have something to show for it.

About the Author

Nicholas Normandy is a freelance digital photographer, and has been taking digital photos for several years. With the current success Nicholas has been having, he is now trying to teach what he has learned. Check out his site at DigitalPhotoJob.com


The Glossary of Digital Photography by Blair, John G. Edition ILL, 0


The Glossary of Digital Photography by Blair, John G. Edition ILL, 0


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With the many technical, complex, and interwoven words, and new words being created daily, even veteran photographers have trouble keeping up with the lingo of digital photography. The solution comes to us in The Glossary of Digital Photography, which is the most comprehensive publication of its kind to date. With over 1500 words, abbreviations, and acronyms, the Glossary strives to help those involved in this cutting-edge industry to understand the language that makes it up. The Glossary has been extensively researched to collect the terms currently in use and to provide the most up-to-date meanings of these terms.The Glossary of Digital Photography will appeal to advanced amateur photographers with more than an average interest in their hobby; to professional photographers with an interest in digital photography; to students of photography, design, and related fields; and to professionals in the design, prepress, printing, and publishing professions.

On Air: Methods and Meanings of Radio


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Superseded by television as the primary source of entertainment and information, radio still has a unique place in the mass media spectrum. At once powerfully pervasive and totally invisible, its a fascinating subject for study. On Air adopts a wideranging theoretical and critical approach to provide an indepth examination of radios codes (speech, music, noise, and silence), the conventions of using these codes, and the dominant modes of reception. The text offers a vocabulary and methodology for analyzing radio programs, drawing on work by both media theorists and professional broadcasters in Britain, AustraLia, and North America. Written by an academic and a practitioner, On Air provides a critical overview of radio for media students, as well as suggestions for practical activities, a timeline of major events in the history of radio, and a glossary of key terms. Author: Shingler, Martin/ Wieringa, Cindy/ Wieringa, Cindy Binding Type: Hardcover Number of Pages: 192 Publication Date: 1998/10/01 Language: English Dimensions: 9.34 x 6.26 x 0.71 inches

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Traces photographic history both topically and chronologically, profiles key masters, explains terms and processes, and features the landmarks in the development of photography.

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Traces photographic history both topically and chronologically, profiles key masters, explains terms and processes, and features the landmarks in the development of photography.



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Extending the inquiry of his early groundbreaking books, Christopher Small strikes at the heart of traditional studies of Western music by asserting that music is not a thing, but rather an activity. This new work outlines a theory of what Small terms “musicking”, a verb that encompasses all musical activity from composing to performing to listening to a Walkman to singing in the shower. Using Gregory Bateson’s philosophy of mind and a Geertzian thick description of a typical concert in a typical symphony hall. Small demonstrates how musicking forms a ritual through which all the participants explore and celebrate the relationships that constitute their social identity. This engaging and deftly written trip through the concert hall will have readers rethinking every aspect of their musical worlds. “Christopher Small has something of the guru’s gift of saying wise things in the simplest but also most engaging way. The book is instructive and enlightening, interesting to think about, and even to differ with … stimulating and rewarding”. — Ross Chambers

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Examined within their economic, cultural, and political context, the workof women Maghrebi filmmakers forms a cohesive body of work. Florence Martin examinesthe intersections of nation and gender in seven films, showing how directors turnaround the politics of the gaze as they play with the various meanings of the Arabicterm hijab (veil, curtain, screen). Martin analyzes these films on their owntheoretical terms, developing the notion of “transvergence” to examine howMaghrebi women’s cinema is flexible, playful, and transgressive in its themes, aesthetics, narratives, and modes of address. These are distinctive films thattraverse multiple cultures, both borrowing from and resisting the discourses thesecultures propose.
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