Photography Courses San Francisco

Sites in San Francisco?
I’ll be out in San Fran in June’10 and was wondering what people out there would recommend seeing. Of course, the Golden Gate bridge, the Fisherman’s Wharf, that crooked street & Chinatown are all on my list of things to do, see & photograph but I know there’s infinitely more wonderful things to check out while I’m there-they just may not pop up on the web when i do a search. I’m wondering if you folks (especially if you’re a local) can give me suggestions to the best museums, photo op locations, markets for shopping, etc. I am sort of an artsy person who likes to see what a city has to offer as far as photography, art & architecture.. Also, any suggestion as to areas/hotels that are centrally located to a lot of these things & still reasonable would b great. Ps-lemme just add that I’m really not interested in anything sports-related and usually can find myself a good bar with a blindfold on & 2 hands tied behind my back! ha ha..
http://www.sfbayareagalleryguide.com/
Look up the Gallery Guide before you leave home. The galleries in 49 Geary are interesting and free. CameraWorks on Mission St. is $3.00 (or is it $5?) donation per visitor. You should enjoy it because of the quality of the images of the local group of photographers (some very well known) who display their photos support this gallery.
Out at Ocean Beach: Go to the Cliff House, Sutro Baths at the end of Pt. Lobos and The Great Highway. Sutro Park and Lands End area should not be missed. The camera obscura is not usually open when I’ve been there but you might be lucky. It’s on the deck behind the Cliff House Restaurant.
Go up to Twin Peaks and bring your camera for a great view overlooking the city & east bay.
Seal Rock Inn is near those places and the #38 Geary bus is a good run that will take you elsewhere (even to another bus connection). There is parking at the motel and around the area. It’s a little dated but located in a quiet residential area near the beach. Be cautious and keep an eye on your stuff – don’t leave stuff lying around that will tempt anyone. Don’t take more stuff than you can watch and hang on to (secure) when you go out on the street or on public transit. Be aware that sometimes you might need to stand and hold a bar (maybe overhead) on a crowded bus or streetcar.
Market & Powell St. for Visitor’s Information Center down the escalator and above ground, the Cable Car turnaround & MUNI kiosk to purchase any MUNI visitor’s passes — a real bargain — for the cable car, buses, or muni metro.
http://www.sfmta.com/cms/mfares/passports.htm
Chinatown, try eating at Sam Wo.
http://www.yelp.com/biz/sam-wo-restaurant-san-francisco
You might walk from the Union Square retail area along GRANT Ave. to Chinatown and at Clay, go east toward the pier and get some shots of the Transamerica Pyramid.from the outside. This is a secured building so the guard will not permit you to take any interesting photos inside the lobby.
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Tartine Bread $20.30 For the home or professional bread-maker, this is the book of the season. It comes from a man many consider to be the best bread baker in the United States: Chad Robertson, co-owner of Tartine Bakery in San Francisco, a city that knows its bread. To Chad, bread is the foundation of a meal, the center of daily life, and each loaf tells the story of the baker who shaped it. He developed his unique b… |
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David Busch’s Canon EOS Rebel T3i/600D Guide to Digital SLR Photography (David Busch Camera Guides) $18.05 The Rebel T3i/600D is one of the most advanced entry-level cameras Canon has ever introduced. It boasts an astounding 18 megapixels of resolution, blazing-fast automatic focus, and cool features like the real-time preview system called Live View, full high-definition movie shooting, and an amazing new wireless flash capability. As the owner of a Rebel T3i/600D, you demand the ability to take outst… |
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Photojournalism, Sixth Edition: The Professionals’ Approach $25.87 Photojournalism: A Professionals’ Approach, 6th edition blends insightful interviews with professionals, practical experience, current equipment and camera technology, and high-impact photographs to create the definitive book on photojournalism. The DVD features footage of working professionals handling on-the-job challenges.This revised edition features information on new laws affecting photojour… |
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Cai Guo-Qiang $38.35 Cai Guo-Qiang (pronounced ‘Tzai Go-Chang’; Cai is his family name) is one of the most important Chinese artists to have emerged internationally in the 1990s. Best known for his spectacular firework projects at locations ranging from museum entrances to the sites of Land art works such as Robert Smithson’s Spiral Jetty, Cai has explored a diversity of media and artforms. These have included works such as an extension of the Great Wall of China, designed to be seen from outer space by extraterrestrial beings; feng shui rearrangements of private living spaces both in Japan and New York; participatory projects with kites, jacuzzis and mini golf courses; and sculptures constructed from melted-down cars or abandoned boats. His projects are strongly influenced by their location and the works are frequently altered or developed as they are exhibited at new sites. Unifying Cai’s wide-ranging work is his consistent investigation of humanity’s place within the universe. Cai was short listed for the 1996 Hugo Boss Prize and won the Leone d’oro award at the 1999 Venice Biennale. He has been included in numerous biennial exhibitions, including Sao Paulo (1996), Istanbul (1997) and Venice (1995, 1997, 1999, 2001). His work has also been included in all of the key surveys of new Chinese art, including ‘Cities on the Move’ (Hayward Gallery, London and tour, 1997) and ‘Inside Out: New Chinese Art’ (San Francisco Museum of Modern Art and tour, 1998). Cai was born in Quanzhou, China, in 1957. He lived in Tokyo from 1985 to 1995, before moving to New York. During the 1990s he emerged onto the international art scene and has become a major figure of contemporary Chinese art. With the exception of theAntarctic, he has made projects in all the continents of the world. His early works from the 1980s took the form of oil paintings, but these gradually evolved as he become interested in harnessing the power of nature to develop the work in new and unusual ways. His early experiments included |

